I had this crazy Timberlake kick the last few days, this morning I was hella into this one. It’s a cute song, but I love the slowed down second part where he’s like “I almost forgot, who-oo-ooo you are!”
9. Jhene Aiko featuring Ab-Soul “WTH”
This Jhene girl and her “Sail Out” EP are steadily growing on me. This song is cute and mellow like most of the EP, but mainly what I love is the acronym… “Way Too High”.
8. The Black Keys “Lonely Boy”
The other day at work, I had this odd craving to hear this song. I was humming it, than just started singing it out loud and I just ended up having to go to YouTube and play it out! Great song, and hilarious video.
7. Janelle Monae featuring Miguel “Prime Time”
There is no end to how Awesome this song is. So mellow and sexy, with great lyrics and harmonies and all that. There is also no end to how underrated and under-appreciated Miss Monae is, which is a shame, but it doesn’t really matter that the masses sleep on her… us non-idiots know she rocks!
6. James Blake “Overgrown”
I had a variety of Music fixes this week. It started with Jhene Aiko, later in the week it was Timberlake, and for MOST of the week I was in a real James Blake zone. He’s just awesome, and this particular song reminds me of the weeks leading up to me seeing him perform Live in New York City.
5. The Drums “Money”
Speaking of New York City, there are a lot of songs that remind me of my short stay there (blog post will be coming probably next month) and this awesome-ly peppy song is one of them. I really really love this and was seriously addicted to it for a while, and I think I’m about to relapse.
4. James Blake “Our Love Comes Back”
Might have been my favorite James song this week.
3. Miguel “Use Me”
Today, a new Music fix began and his name is Miguel. This dude is also amazing, such a great writer, and this song is just so good that I almost always replay it at least 3 times before moving on to the next track.
This song starts, and it sounds like it’s gonna be this cornball ass pop track. The lyrics make me laugh though because I relate so hard. “If I had it my way, I’d roll out of bed say, 2:30 mid day, Hit the blunt then hit you up to come over to my place. You show up right away, We make love and then we fuck, and then you give me my space.” < YES! All of that!
1. Justin Timberlake “Spaceship Coupe”
I have never liked this song, the scratchy falsetto used to always get on my nerves where I couldn’t listen. But for whatever reason (maybe I’m feeling some kinda way if you know what I mean) I was addicted to it. It’s a little retarded still, but it’s a relaxing kinda of groove that’s actually fun to sing along with.
Honestly, 2011 was a pretty horrible year for Mainstream and Top 40 music. The bar is terribly low for a Pop hit these days, and even performance wise there’s nothing really exciting about the goings on of this year. So it’s a little difficult to try and make it seem exciting when it really was just BASIC on the whole. Adele slayed pretty much all year, and she was one of the only exciting things to happen to the industry this year. The under performing of Britney Spears and Beyoncé signaled a change in the winds, where formerly unstoppable Pop stars were being out peaked and out sold by the likes of LMFAO and Pitbull. Speaking of, Beyoncé may or may not be pregnant (*laugh). Katy Perry and Rihanna got closer to breaking chart records of Michael Jackson and Mariah Carey. Nicki Minaj got her biggest hit from her Pop-iest song and Foo Fighters put in a bid as the last great rock band of the 90’s. Other than all of that, and a few hot-mess feuds and shady comments, not much else happened this year that’s really worth reporting.
So here’s my take on the year, try to enjoy! And let’s hope 2012 kicks 2011’s Basic Ass!!
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Artists Of The Year,
5. Kanye West
Coming off the critical praise of 2010’s “My Beautiful Dark Twisted Fantasy”, West took a seat instead of his usual loud-mouthed antics. He took a seat in the studio though with Jay-Z, and towards the end of the Summer released the Epic collaboration album “Watch The Throne”. So let’s raise our glass to Kanye shutting up long enough to keep the focus on his talent, which ended in him leading the Grammy nominations and co-headlining a sold out tour.
4. Lady GaGa
While the media excitement for GaGa trailed off towards the end of the year, Mother Monster still had a triumphant year overall. She clocked over a million sales of her third (or second) album “Born This Way” after record breaking sales of the first single of the same name. She was ever present on television, including an HBO concert and a network Holiday special that got healthy ratings. Most importantly, she made some risky single choices that worked in exposing a different and versatile side to her as an artist.
3. Pitbull
This might be a surprising choice, but Pitbull was every where this year. He’s been very consistent ever since his debut in the early 2000’s, but this year he almost became a household name. He had a Huge #1 hit with “Give Me Everything” and his feature work with Jennifer Lopez, Marc Anthony and Shakira further helped his exposure. He ended up being invited to perform at nearly every big Award ceremony of the year, and translated his new found mainstream fame into endorsement deals. He may just be the flavor of the moment, but he definitely crossed over to a new level of fame in 2011. And as hard of a worker he has shown he is, he could potentially get bigger down the line.
2. Katy Perry
Miss “I Kissed a Girl” didn’t necessarily break out as the “It” girl of this year, but she made a lot of accomplishments and set herself up to possibly be a force in the industry. Still continuing a hit streak from her 2010 album “Teenage Dream” she collected two more #1 singles this year, tying Michael Jackson for the most #1’s from one album. She ended the year with a hosting spot on “Saturday Night Live” and a 7th Top 5 Hit. Hopefully she’s in the studio working on a follow-up, and we’ll see how long her star will shine.
1. Adele
No surprises here, for whatever reason the beginning of the year all the way till the end Adele was on everybody’s lips and on top of every chart. And she did this without compromising her sound. In the field of sexed up Pop chicks talking about nothing on their songs with auto-tuned vocals, Adele really was a shocking success being the polar opposite of all that. Her “21” album, steeped in R&B Jazz and Balladry, became the #1 selling album of the year and her two hits “Rolling in the Deep” and “Someone Like You” used proper instrumentation and strong vocals to become huge hits as well. So proud of her, and if she can just get her nerves together for a tour she’ll be a Legend in no time.
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Albums of the Year,
10. Chris Brown “F.A.M.E.”
Say what you will about Breezy, but “F.A.M.E.” showed off how truly talented he is. Not only does it cross genres from Pop to R&B to Hip Hop to Dance, but it’s all catchy and well-sung with some surprisingly great lyricism. A great step in the right direction, and a true testament to why he’s on top of the R&B heap these days.
9. tUnE-yArDs “w h o k i l l”
Crazy album, going from Folk sounds to Tribe Called Quest-like Hip Hop sounds and everything in between. This is something new and different and ultra experimental, but it works. It shows off the talents of Merrill Garbus, vocally and lyrically, and it gives listeners something totally fresh to counter-act all the same-sounding stuff released this year.
8. Beyoncé “4”
Like I said in my review of this album, it’s truly one from an artist that is so comfortable in her talents she can just do what she feels and not worry about fitting in. “4” is laid back R&B in a time when tempos must be high and lyrics must be repetitive, so in a way Bey took a risk but she really stayed in her zone and delivered a very solid and classic sounding album.
7. Adele “21”
Do I even need to go into detail about the album probably EVERYBODY has heard by now. Adele really goes back, with lots of early blues and soul inspired material, matched with a few funk tracks. The entire album is made to showcase the amazing voice of hers and why she’s one of the best singers in the game right now, and mission accomplished.
6. Frank Ocean “Nostalgia, Ultra”
This is a Mixtape, and I started not to include it. I couldn’t leave it off though because it was one of the most exciting and fresh pieces of music I’ve heard this year. From the out of the box concepts of the songs, to the pretty amazing and random samples he sings over, his knack for great lyricism and his love of singing. If you need to watch anybody that has major potential to blow up in 2012, than Frank is the one. “Nostalgia, Ultra” can be enjoyed by so many, even if it’s not what the masses are typically used to hearing.
5. Fleet Foxes “Helplessness Blues”
The mainstream-friendly Folk/Pop group delivered another set of very soothing, relaxing chill tracks that’s really true to the roots of the genre. A very natural continuation from their debut album, just elevated and with a much bigger sound. The stories clouded in very intelligent lyricism make it an album that can be enjoyed for decades, but it still somehow feels very now. And the harmonies and cascades of instrumentation is perfectly beautiful on every track. It truly deserves all the praise and hype it got, it’s definitely a go-to album if you need to relax.
4. Lady GaGa “Born This Way”
Unlike the rest of her Pop contemporaries, GaGa really tried hard on her third album to stand out from the pack. And she did in so many different ways with “Born This Way”, still catering to her Top 40 audience she manages to make little changes and explore different sounds. From Country, Industrial, House and Rock the album is clearly one of the most diverse of the year, yet the overall album works. And it’s not just the tracks, her attacking different vocal styles and writing some pretty impressive lyrics this go round “Born This Way” shows the artist behind the crazy outfits.
3. Jay Z & Kanye West “Watch the Throne”
The event album of the year, I almost didn’t believe it would ever come out but luckily it did. The album is Anthem after Anthem, it definitely caters to Kanye’s more energetic and humorous side. However mixed with Jay’s more serious verses, they both end up rubbing off on each other with Jay sounding like he’s having more fun and Kanye even waxing philosophical on some tracks. A great collaboration by two utter geniuses, how could it go wrong really?
2. Drake “Take Care”
Drake really is a surprising character in the industry. As much as you want to, you really can’t hate on what he brings to the table and it’s almost always unexpected and to the left of what you might have assumed. “Take Care” is a surprisingly deep and personal album at times, that transitions seamlessly from an Indie/R&B feel to a harder Hip Hop feel, and you don’t really notice because you are just captivated overall. His sophomore is just as good if not better than his very impressive debut, and this does show he has the chops to stay in the game for a long while.
1. James Blake “James Blake”
An album that takes a few listens to really appreciate, Indie self-produced “Dubstep Prince” (still don’t know why his music is classified as dub step but whatever) James Blake delivers a very minimalist album that even without many lyrics has such emotion and heart in the soundscapes he provides. It’s an album that plays well altogether and really stands out above anything else released this year, because it’s so non-conformist in almost every way. Tonally and emotionally it’s really an amazing album that shouldn’t be missed.
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Singles of the Year,
15. Jessie J “Who You Are” You would think the “love yourself” inspirational ballads died with Christina Aguilera’s “Beautiful”, but UK star Jessie J makes a great bid for bringing them back. The lyrics match so well with the emotion and rawness of her vocals, it doesn’t feel like sap it feels much more personal.
14. Yuck “Rubber”
An eery, forever building ode to 90’s Alternative. With it’s strange and creepy instrumentation and slowly changing tempos, and the vocal delivery of Daniel Blumberg. It’s almost like a scary movie you can’t stop listening to until you get to the end.
13. Britney Spears “Til the World Ends”
Easily one of the best songs of Britney’s career, and apparently she owes it all to Ke$ha who wrote this incredibly addictive call to the dancefloor. It’s perfection in it’s intentional stupid-ness, and a perfect song to suit Britney’s (*cough) limitations. (And the remix is even better than the original)
12. Lady Antebellum “We Owned the Night”
A beautiful yet underrated single from the power trio of 2010. The song works on many levels with a cute storyline, beautiful harmonies and a relaxed track that gets some real country energy in parts.
11. Maroon 5 “Moves Like Jagger”
Surprisingly great Pop track, not very deep but do you really expect that from a Top 40 song? No! What you expect, and what you get here, is a nice dance tempo and an insanely catchy hook. Add Christina Aguilera’s power notes and you have one of the best Pop offerings of the year.
10. Jason Aldean “Dirt Road Anthem”
Aldean has had a great run in the country world, and this rap/country hybrid (later remixed with a verse from Ludacris) does a lot to gain unlikely fans. He goes from his southern rap to belting it out towards the end over a very simple backing sample.
9. Rihanna “S&M”
The MOST Fun Dance song released this year, there are several portions that are crazy addictive and Rihanna’s sexy but coy vocal delivery takes it to another level. Another reason why no one can touch Rihanna in the Dance/Pop field, she consistently delivers the most dance-ready (and most true to the classic House sound) tracks of all her contemporaries. (And for the record, I’m pretending that Britney remix never existed! *awful)
8. Cage the Elephant “Aberdeen”
A great rock track, with clear homages to a more alternative 90’s rock sound but adding the groups standard weird effects and instrumentation to make the song totally fresh. Addictive and creative, what more do you want.
7. Chris Brown “Look at Me Now”
This is a Chris Brown song, but most of the praise for this weird electro/Hip Hop winner goes to producer Diplo and featured rapper Busta Rhymes whose flawless and breathless flow made this The urban track of the year, and once again showed he’s still a relevant player.
6. Lady GaGa “Yoü and I”
Mother Monster delivered a Pop Anthem, an Industrial Dance track, and a ballad-like House-r this year but her Country/Pop/Rock rump “You and I” is clearly the most memorable and the one that shows what a great artist she is. A great storyline, a confident vocal and a track so hype and powerful you’ll be singing and clapping along in no time.
5. James Blake “The Wilhelm Scream”
This is the genius of James Blake, at first the song is really unassuming. A simple repetitive vocal over scant electronic backing, but if you listen you start to feel and appreciate the layers and how the song builds to a beautiful climax. His songs just creep up on you and force you to feel something.
4. Miguel “Sure Thing”
In case anyone thought R&B was dead Miguel came through with a beautiful and loving R&B track that Urban Radio has been lacking for years. The writing is exceptional, a love song without any contradictions or stipulations like the “I love you but I’m probably gonna cheat on you” type songs we’ve been forced to accept in the past few years. A great return to form for R&B.
3. Jay Z & Kanye West “Otis”
Like I said in my review of “Watch The Throne”, this hit single has a very complicated and technical use of the Otis Redding “Try a Little Tenderness” sample. Everything else about the song feels so laid back and breezy in comparison, with two of the biggest Hip Hop Icons of the day genuinely having fun and not being try-hards with their second single. Epic song that’s downplayed to just being a fun record.
2. Adele Rolling in the Deep
Incredible vocals. Amazing (and LIVE) instrumentation. Killer lyrics. End.
1. Kanye West “All of the Lights”
One of Kanye’s most simple songs, in both production and verses. However the more you listen, the deeper it gets when you realize the story he’s trying to tell about the inner cities. And though the calvacade of featured artists are nice, they aren’t necessary. It’s a strong, powerful, energetic, catchy and flawless song.
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Disappointments of the Year,
3. Rihanna “Talk That Talk”
I LOVE Rihanna, this won’t change anytime soon. And because of my love, I was really excited for her 6th album even if it was clear it would be a bit rushed with the busy year she had. Now, over a month after it’s been in stores, I tend to listen to her previous album “Loud” over this one. Too many un-done songs, which gives the bare minimum in song structure, almost like her label said “whatever you have now is fine we’ll just release it”. I feel like her label jipped us fans and gave us a half-ass outing for Holiday sales, when with just a month or three more it could have been a pretty great album.
2. The Strokes “Angles”
After waiting 5 years for a new album from the once great Garage Rock band, when it album finally came it was a bit of a dud. “Angles” was way too all over the place and not making any real statement of their growth as a band. Not a terrible album by any means, but definitely not worth the long wait. Hopefully there is a quick follow up to redeem themselves.
1. Britney Spears “Femme Fatale”
I don’t know why (maybe because her team kept Tweeting about it), but I expected this album to be a sign of growth for Miss Spears who has been stuck in Robot-Mode for almost 5 years now. Unfortunately, the album was yet another Dance/Pop heavy, heavily vocally altered singles album with virtually no real effort coming from the star. And even with hype about insane choreography and performance lessons, Spears continued to disappoint by doing the bare minimum performance wise this year. Signaling the fact that Britney will probably never get any better as an artist, thus the potential demise of her career. (Her fans are the most faithful of any stan base though, as long as they are easily impressed she’ll be fine)
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Guilty Pleasures of the Year,
5. Big Sean “My Last”
This, for any other rapper, would have been pure filler. There’s nothing truly stand out about anything in the track, and the whole”we do it big out in public” concept is so annoying. Than the “a-a-a-all, a-a-a-all” hook pulls you in and you spontaneously start singing along.
4. Jennifer Lopez “On the Floor”
Could the lyrics get anymore elementary, or the track be anymore basic? I doubt it, but somehow the “La la la la”‘s and the overly repetitive “On the Floor”‘s were too catchy to deny.
3. LMFAO “Party Rock Anthem”
Overproduced, Pointless, Stupid, Basic… yet after a few times being forced to hear it on the radio you kinda get used to it. I know for me, the first time I heard it “Noisy Garbage” came to mind, after about 4 listens I was actually anticipating hearing it. Shameful, but that’s the beauty of a Guilty Pleasure.
2. Rihanna “We Found Love”
I called this when I first reviewed the single, the song is basic in every sense of the word. Random lyrics, and a hook that seems to never end. Not even the production is anything all that noteworthy, as Rihanna has had much better Dance singles. However that hook, after about the millionth time, engraves itself in your brain and you go a little crazy for 3 minutes.
1. Pitbull “Give Me Everything”
Pitbull’s verses are rather weak, Nayer is like a non-factor, the track is almost a “paint-by-numbers” dance track… but who can deny Ne-Yo’s infectious and addictive hook. Overall, everything comes together pretty nicely and you just get in a zone when the track comes on.
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Flops of the Year,
3. Kelly Rowland
Kelly’s solo problems have always been that she’s choked at the wrong opportunities. Her BET Award performance was all everybody could talk about, that was the time to hit us with a new single and video capitalizing on that exposure. But she waited until after her very decent album “Here I Am” had already flopped. And the supposedly “dance heavy” UK edition fared even worse, and that’s after all her “X-Factor” exposure. She seems to be stepping her performance game up, so there may be a chance next year.
2. (tie) Beyoncé, Britney Spears
How the mighty have fallen! Even though both divas posted respectable numbers in either album or single sales, 2011 showed that their time as relevant artists might be up.
Britney had major success on the singles charts, but her album sales took a steep dive given her track record. She truly became a singles artist this year, in the same realm as Ke$ha and LMFAO. And most of that is due to her consistently lazy performances, and refusal to do any interviews or press.
With Beyoncé, her album “4” posted good numbers but her single choices were disasters and … well, plain stupid. Her mistakes were clear, and she didn’t seem to take the hint (or maybe she didn’t care because of her pregnancy). She saves face with a few great live performances including the now iconic pregnancy reveal at the VMA’s, but now that she’s ditched her father as manager she’s totally accountable for this flop.
1. Joe Jonas
Poor Kid. He’s cute, he’s at least minimally talented, and you’d think with the success of The Jonas Brothers his solo career would make some kind of sales dent. Unfortunately, after hyping his first single for what felt like months it only peaked at #92 and the album “Fast Life” only managed to stay on the Billboard 200 for 2 weeks. I guess with Bruno Mars and Justin Bieber there was no spot left on the charts for another “teen heart throb”.
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Music Videos of the Year,
5. Beyoncé “Run the World (Girls)”
Beyonce went as big as she could to try to salvage the poor first single choice of “Run the World (Girls)”. Hyenas, Lions, Task Forces, Exploding Cars, a Few Hundred Backing Dancers. She threw the kitchen sink in there too, but luckily it’s saving grace is the dancing. She incorporates different styles and attacks, the type of big dance video Janet or Michael Jackson would do.
4. Jason Aldean “Tatoos On This Town”
They could have went a totally different way with this song, but they gave us the tear-jerker storyline. And it actually really works in a beautiful way with the lyrics of the song.
3. Lady GaGa “Born This Way”
Enter the crazy world of Mother Monster, where there’s no judgement and… blah blah blah. GaGa is known for being a bit pretentious, but overall this video came off visually very different from most Pop videos. And it’s always nice to see GaGa drop the seriousness and have fun, which she does towards the end.
2. P!nk “Fuckin Perfect”
Speaking of GaGa, P!nk this year proved you don’t have to make an 11 minute video to tell a compelling and emotional story that unfolds in surprising and beautiful ways. Really one of the most heart wrenching and inspiring videos of the year.
1. Rihanna “We Found Love”
This video is one that didn’t try too hard, but did an amazing job of bringing alot of depth and rawness to the basic song and it’s lyrics. In very quick glimpses yo almost see the entire length of a destructive relationship, the highs and lows, and with the flawless editing job it really does get surprisingly real, but still a beautifully shot video.
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Award Show Performances of the Year,
3. Bruno Mars “Valerie”
Bruno finally showed he has the chops to deserve his spot at the top right now. His 2010 Grammy performance showed a performer who truly loved music, but his vocals were a bit off. At this VMA tribute to Amy Winehouse, he really makes the song his own and is almost perfect vocally. His energy, and clear love for performance and singing really shined.
2. Beyoncé “Love on Top”
(this clip is mirrored, so it looks a little weird. sorry)
Bey pulled out all the stops for her Billboard Award performance, but this simple VMA routine was the one that got everybody talking. She’s known as a great performer, so she doesn’t have to do much to impress. And her flawless vocals before her reveal already clinched this as another great one in her long list of live performances. It’s the pregnancy reveal, and the reaction of the crowds, that made this what it is though.
1. Mumford and Sons “The Cave”
This is the kind of performance I love to see, where the group is ecstastic to be performing and you get a true sense that they really love what they are doing. Mumford and Sons delivered an un-jaded, energetic, and technically perfect Grammy performance this year. It helped “The Cave” become a major player on the charts as well as their debut album “Sigh No More”.
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So, what have we learned this year. It’s actually a little hard to say because it was so crazy and unpredictable. You never really knew what song would hit, what promotional opportunity would help sales. Random circumstances like YouTube videos ended up helping singles more than “American Idol” appearances (case in point Nicki Minaj’s “Super Bass” aided by Selena Gomez and Taylor Swift videos). The industry continued to get majorly shaky, but it seemed whatever Radio was backing would determine who would shine.
Which brings up a weird issue with Adele being so huge, it was kind of funny to hear one of her songs (like the piano ballad “Someone Like You”) on pop radio than right after hearing Cobra Starship or LMFAO dance trash single. You’d think radio might take the hint that people are ready for talented vocalists and great song structure. Obviously they didn’t, but they need to realize that a little diversity never killed anybody.
And I have a few remarks for two of Radio’s biggest stars Katy Perry and Bruno Mars. They both get the Step Your Game Up Award, because both are talented in their own ways. Bruno is a great performer and a good writer when he wants to be. It’s just the songs he’s been putting out are very below the bar and elementary, when he’s capable of putting out some classic and creative stuff. And Katy really needs to take her exposure and step out of the “Pop Top 40” realm a bit and get a little deeper. “Teenage Dream” actually does offer some depth and artistry (“Circle the Drain” “Pearl”), so she needs to let the world hear a different edge to her.
My I Don’t Get It Award goes to Foster the People and Florence and the Machine. “Pumped Up Kicks” was a huge single this year, but to me it just sounds like a horribly distorted MGMT rip-off with a forced catchy hook. It’s not just that they took their sound and tried to process it through a Mainstream filter, but it doesn’t even sound good and it’s surprising that it fit into the Mainstream machine at all. With Florence, I just can’t get into her voice long enough to hear an entire song, but she’s hyped as this amazing vocalist somehow. I just don’t get it.
The Have a Seat Award goes to Rihanna, and we know I love her by now. She is just over-working herself, and I need for her to be healthy and ready because she’s clearly being run to the ground. I already talked about her latest album, but her performances went from a major high earlier this year to a drastic and saddening low at the Jingle Ball in December. Six months of not working wouldn’t kill her, but Three more months of her pace might actually do it.
I WAS gonna Go In on Nicki Minaj. With touring with Britney, the success of “Super Bass”, and her recent David Guetta collaboration has become more of a Pop sensation than a Hip Hop Star. I won’t though because I’m hoping “Roman’s Reloaded” will make me love her again. And that’s pretty much all I have for this year, which like I said was pretty boring but some good things came out of it I guess.
If you follow my blog, you should know that I’m usually really gung-ho and totally excited about each years Grammy Nominations. Generally I make about 4 posts a year when Grammy time comes around. This year is really different. I didn’t even do a nomination prediction write up this year, mainly because I’ve been venturing further away from the mainstream acts so I knew my personal picks wouldn’t be considered. However if I would have written a predictions post, I probably would have named all the big Top 40 artists this year as the Grammy’s have been trending towards awarding big sellers over critical favorites. And had I done that, I don’t think I would have been too far off.
The Grammy nominations were announced last night, and I’m not really surprised or shocked, I’m not even upset, I’m really just indifferent. The Grammy’s have really turned into a new Billboard Awards, nearly every big hit single and top selling album is up for awards — over more deserving well-reviewed but slightly under the radar acts. Which of course is no surprise and no different than the past two or three years, leaving little excitement about the list of nominees this year.
We all knew that Adele would be a top nominee, and she delivers with 6 nominations (she’ll easily win 5 of those 6). Though she’s not the top nominee as Kanye West scores that prize with 7 nominations. Foo Fighters and Bruno Mars are also up for 6 awards. Other obvious acts like Lil Wayne, Radiohead, Rihanna, Mumford & Sons and Nicki Minaj compete in multiple categories. Nearly everybody who made any kind of impression on the charts this year shows up with a random nomination or two.
Like I said before, I’m really indifferent about this years crop of nominees. I honestly could care less, but I did have some major gripes even though me griping won’t change anything. The biggest “WTF?” starts at the very beginning, Album of the Year. Adele is going to win, no doubt so it doesn’t really matter, but there’s no way Kanye should have been left out of this race with “My Beautiful Dark Twisted Fantasy”. It was the best reviewed album of last year, and it’s singles garnered Kanye 3 of his 7 nods.
And another big omission, Bon Iver‘s self titled album. I’ve still not heard it, but it was a big critical success earlier this year, and his track “Holocen” made it in Song and Record of the Year. So why not Album of the Year? Seems like Rihanna’s “Loud” and Bruno Mars’ totally inferior album “Doo-Wops and Hooligans” took the spots that deservedly belonged to Kanye and Iver.
Other than that category, there’s nothing too upsetting really just a few weird things. Like why is Cee-Lo Green up for Pop Vocal Album for “The Lady Killer”, which is rooted in 60’s and 70’s Soul sounds (well, if you think about it Amy Winehouse was up for POP for her R&B album “Back to Black” back in 2007). Still, the Grammy’s are always a little off and weird here and there (just look at some of my posts about previous years).
As far as snubs, there are a lot. And it’s mainly due to the Grammy’s cutting out a number of it’s categories and consolidating Male and Female categories. Some of the biggest snubs of this year were Fleet Foxes garnering just one nod for their critically acclaimed “Helplessness Blues”, Beyonce for her album “4” which only garnered 1 nomination, Rock groups Cage The Elephant and Yuck (but Foster the People get multiple nominations?), Indie-Electro rising star James Blake, R&B Divas Jill Scott and Jennifer Hudson, as well as deserving R&B guys Miguel, Frank Ocean and Musiq Soulchild.
In the Country category, which I generally wouldn’t have any business speaking about but I’ve become a bit of a Country Music Channel nut for the past few months. Where is “Remind Me”, the duet by two Grammy darlings Brad Paisley and Carrie Underwood? And last years big winners Lady Antebellum settle for one nomination this year for Country Album, no love for their singles “Just a Kiss” and “We Owned the Night”. And just one other complaint, Lupe Fiasco‘s Modest Mouse rip off “The Show Goes On” up for so many Rap categories? I Just Can’t!!
So that’s that! Hopefully this list of nominees will at least make for an interesting Award ceremony, otherwise this is probably the first Grammy’s in years that I just won’t care about. So much so, that this will probably be my only post about it until the actual winners are announced. So here are my predictions in some of the major categories.
Album of the Year
Adele “21”
Bruno Mars “Doo-Wops and Hooligans”
Foo Fighters “Wasting Light”
Lady GaGa “Born This Way”
Rihanna “Loud”
will win: No Brainer, ADELE! (and just to save myself from carpal tunnel, I’m gonna copy and paste that from here on out because I expect to use it a lot)
should win: Adele, even though I feel like GaGa’s was the most adventurous album of the 5.
Record of the Year
Adele “Rolling in the Deep”
Bon Iver “Holocene”
Bruno Mars “Grenade”
Katy Perry “Firework”
Mumford & Sons “The Cave”
will win: No Brainer, ADELE!
should win: Adele, yet Katy’s anthem is tough competition.
Song of the Year
Adele “Rolling in the Deep”
Bon Iver “Holocene”
Bruno Mars “Grenade”
Kanye West “All of the Lights”
Mumford & Sons “The Cave”
will win: No Brainer, ADELE!
should win: Adele, however Kanye’s track was epic and should be his consolation for that Album of the Year snub.
New Artist
The Band Perry
Bon Iver
J. Cole
Nicki Minaj
Skrillex
will win: Bon Iver or The Band Perry, can’t decide right now. They both have the best chances, with The Band Perry slightly edging him out.
should win: Bon Iver, he’s obviously not NEW but he’s made a name for himself with a very un-mainstream sound and that should be commended
The music industry has become quite stale lately, and outside of maybe the Indie scene you don’t find many artists who really care to try new things. That’s the case in most mainstream genres including the contemporary R&B field, which is dominated by basically the sames songs (the sound, the producers even the lyrics seem to be recycled over and over). Fortunately, two of the R&B artists that shook things up in the genre around 2000 and 2001 are back with new releases, as well as a new artists who showed promise with their first single last summer. Are any of these three releases different enough to change the game, well no but they actually (for the most part) make for some solid recordings for this year.
Starting with neo-soul Diva Jill Scott. She begins her fourth album “The Light of the Sun” giving the impression this album will be different from her previous works. She’s rapping on “Blessed”, she uses some old school Hip Hop flavor on “Shame”, and pulls off an interesting beat-box remake of Lisa Lisa’s classic 80’s ballad “All Cried Out”. Jill is definitely trying new things on the first half of this album, she even sounds completely different using a huskier voice on the first single “So In Love” with Anthony Hamilton. Yes, she’s venturing out of her comfort zone a little bit, but it doesn’t deliver the flawless results she might have expected. Some of the songs just don’t sound right, and it feels like she’s forcing the sound rather than it just being a natural vibe for her. She does deliver on the latter half of the album which plays like your typical Jill record. Slow jams with clever wordplay, breezy bedroom music, even throwing her poetry into the pot on the fabulous (and too short) “Some Other Time”. By the time you get to the beautifully simple “Missing You” and “When I Wake Up”, you can almost forgive her for the musical choices made on the first half of the album. Overall it’s not her finest piece of work, but some of the isolated songs make for some of her best songs.
Musiq Soulchild‘s sixth album “MusiqintheMagiq” opens with a Swizz Beatz produced track “Anything” on which he talks about being faithful “despite my reputation”. Which is odd since Musiq has built his career around the image of being the lovable nice guy who just wants to be friends if a relationship is not desired. So to think of him as anything else seems like a big stretch of the imagination. And just like his image and persona, his music hasn’t changed much over the past 10 years which is both a good and bad thing. He stays in his own lane, and delivers the same love songs on every album to the point that you don’t come to expect much from him. “MusiqintheMagiq” follows pretty much the same pattern, but somehow delivers more of a punch than his last few albums. In fact this album might be his best since 2002’s “Juslisen”, it seems like the same Musiq but he is more present and energetic with this album than the previous works. And there are even instances where the concepts and lyrics show a more mature and (dare I say) more masculine Musiq. On his very first single (“Just Friends (Sunny)”) he talked about settling for being friends, and on this more mature album he says straight up he “I don’t wanna befriends” (on, you guessed it , “Befriends”). Even his sex songs are more convincing, and on top of the lyrical content the production on this album is also slightly different and more attention grabbing. Album closer “Likethesun” is a little more off-kilter and unique than most of his entire discography, and “Single” “Say I Do” and “Backtowhere” feel more alive than anything on his last album “OnMyRadio”. Musiq has delivered a very solid album, and he’s done it by staying true to his sound but expanding on it piece by piece.
Last summer, Miguel‘s first single “All I Want Is You” showed major promise. The love ballad, which was reminiscent of mid 90’s R&B, gave off the impression that Miguel might be brining in a new breed of contemporary R&B crooners. His debut album of the same name, released last November, shows little peaks of promise that he can deliver but is dominated by the same-sounding songs you can hear at any given moment on Urban radio. There are times when it sounds like he’s mimicing some of the top names in the genre. He channels Ne-Yo on “Vixen”, Usher on “Hero” and “To The Moon”, even The-Dream on “Teach Me”. And though these mimics aren’t half bad, somehow I was expecting more of a unique vibe throughout the album. I was expecting him to put a stamp on his music, to let us know “this is Miguel!”, and unfortunatley there wasn’t enough of that. Ofcourse the title track, and current single “Sure Thing” (quite possibly the best R&B song of the year) show hints of who he might become as an artist. And funny enough the way too short “Girl With The Tattoo” also shows he might be holding something within that will separate him from the slew of R&B dudes, so maybe we’ll have to wait for the second album for Miguel to truly emerge. Right now, “All I Want Is You” is a fun album but not the statement I was expecting from him.
Honestly, 2010 wasn’t such a horrible year in Music.Of course alot of the best stuff went under the radar, but even some of the more successful Pop stuff was surprisingly good and inventive. Here is my fairly positive assessment of the Year in Music for 2010, and hopes for 2011.
> > ARTIST OF THE YEAR
1. Young Money — Drake, Nicki Minaj, Lil Wayne
Lil Wayne knew he was going to be gone (till November as he said on Drake’s “Miss Me”), but in order to keep getting his money he formed the Young Money mafia and groomed two of the biggest Hip Hop stars of the Year. Even before Drake and Nicki Minaj took off with impressive numbers for their debut albums, the Young Money clique had the biggest Hip Hop hit of the year with “Bed Rock” (because let’s be real “Love the Way You Lie” is a POP song) and a solid selling and actually surprisingly good self titled album. Drake, who was buzzed about all last year, started things off with two huge summer singles and over 500k in first week sales of his debut “Thank Me Later”. All the while Nicki Minaj was making a big name for herself being featured on most of the bigger releases of the year (Usher, Christina Aguilera, Ludacris). She’s ending the year with her debut album “Pink Friday” selling nearly a million copies in a little over a month and quickly becoming a household name. Once Wayne himself got out of prison, he was already sitting with another #1 by releasing an EP “I Am Not a Human Being”. Proof that when his next full length album comes out he’s going to be a force to reckoned with. Now if only anybody could remember the names of the other Young Money crew members, we’ll see how things works out for them next year, if at all.
2. Katy Perry
3. Eminem
4. Lady GaGa
5. Kanye West
> > Artists who Deserves More Shine
1. Robyn
The swedish Electro Queen delivers both radio accessible Dance hits, as well as authentic and original Electronic music. There’s no reason why “Hang with Me” or “Stars 4 Ever” couldn’t be huge stateside, but it’s possible that her sound and lyrics are watered down and simple enough, sad really.
2. Janelle Monáe
Her full length debut album “TheArchAndroid” shows an artist who loves music and it’s history and doesn’t so much care for what’s popular, but incorporating different sounds and making interesting music. Of course radio would shun her, but critics (namely those who vote for the Grammys) should be fawning all over her. There’s still a shot she will emerge and be more widely respected for her talents.
3. Mr Hudson
His 2009 UK release “Straight No Chaser” is still one of my favorite albums in recent years, and I was hoping his guest appearance on Jay-Z’s hit single “Young Forever” would amp up his promotion in the US. Somehow he’s been forgotten again, maybe he’ll just have to settle for moderate success though he should be huge.
> > FAIL of the Year Award
Lil Kim
When Rihanna first came out it was clear her label was molding her to be the new Beyonce in style, but Beyonce had only glowing things to say about her because obviously she was an inspiration to the than new artist. When Drake came out his style of the non-posing Hip Hop rapper was similar to Kanye’s early work, and Kanye never publicly demanded Drake pay his respects to him, he actually worked with him. Simply because both those artists are established and aren’t threatened by any newbies. Unfortunately Lil Kim obviously felt threatened by up and coming Hip Hop star Nicki Minaj which brings us to the biggest FAIL of the year.
Kim’s first initial argument about Nicki was a FAIL because when she asked her to “pay homage”, Nicki had already done so in interviews and photo shoots. When Nicki said nothing against the Queen Bee, Kim just kept at it doing various radio interviews carrying on the beef in the media but never putting her thoughts on wax, which is how these Rap Beefs usually work. So when Nicki finally responded on “Roman’s Revenge” which was released shortly before her “Pink Friday” album dropped, and a radio interview with Angie Martinez showed Nicki being logical, intelligent and even still paying respects to Kim. Than Kim desperately put together a lackluster response “Black Friday” which showed exactly why Nicki has taken her spot, her flow and delivery were boring and the lyrics weren’t very clever at all. And even worse, most of the things Kim uses to call Nicki out apply to her and her early career (the “buffoon” remarks, and the idea that Nicki slept her way to the top when we all know that’s Kim’s story) or were flat out delusional (“still running the game” — REALLY????). In the end “Pink Friday” is doing better than any Kim album already, and Nicki’s more mature approach to this “beef” will make her the winner in the long run.
> > Nicki Minaj Feature Verse of the Year
1. Kanye West “Monster”
2. Diddy Dirty Money “Hello Good Morning Remix”
3. Trey Songz “Bottoms Up”
4. Gyptian “Hold Yuh Remix”
5. Ludacris “My Chick Bad”
6. Lil Wayne “Knockout”
7. Young Money “Roger That”
8. DJ Khaled “All I Do Is Win Remix”
9. Jason Derulo “In My Head
10. Sean Garrett “Get It All”
> > New Artist of the Year
1. Nicki Minaj
2. Surfer Blood
3. Justin Bieber
4. J Cole
5. Bruno Mars
> > Biggest Disappointments of the Year
While none of these three albums are complete garbage, given the caliber of artists behind the releases most have high expectations, and all of these albums just fell short.
1. M.I.A. “/\/\/\Y/\”
2. Daft Punk “Tron”
3. Christina Aguilera“Bionic”
> > ALBUM OF THE YEAR
Picking the #1 album was difficult for me this year, and even as this is posted I’ll probably still have second thoughts about it. It’s definitely between two Hip Hop albums Drake’s “Thank Me Later” and Kanye West’s “My Beautiful Dark Twisted Fantasy”.
Drake “Thank Me Later”
Why it deserves the #1 spot: Drake’s album is perfectly cohesive, the tone and the style of each song blends effortlessly into the next. Even in concept the album tells the story of a man with dreams and watching his dreams come true. The ease at which he transitions from rapping to singing is also new and different and feels totally natural. And it also feels a little more relate-able to the listeners, and another genius thing each and every song has a verse for hardcore Hip Hop fans and one for his female listeners. A clever, complex, carefree album.
Why it should be #2:The drawback to giving this the #1 spot is, even though it takes a few risks with extended verses and the overall ambient feel of the album, it’s still very much a mainstream accessible album (thus the pandering to different sets of fans mentioned above).
Kanye West “My Beautiful Dark and Twisted Fantasy”
Why it deserves the #1 spot: “My Beautiful Dark and Twisted Fantasy” is definitely Kanye’s peak thus far, and he’s been a genius his whole career. The albums strength is that it embodies the different styles Kanye has mastered on his previous four albums, but elevates them and mixes them with classic instrumentation and sounds of rock, alternative, hip hop and R&B. Because of all the mixing the album could have gone terribly wrong, but it manages to never sound forced or overproduced. It just all feels perfect, and is truly a Hip Hop masterpiece because of all the elements working perfectly together.
Why it should be #2:There’s honestly a lot of clever word play here and he tackles some really deep and important issues. However the main selling point of Drake’s album is that it was cohesive in theme, it felt like a story. Kanye’s “Dark and Twisted Fantasy” while very cohesive as far as the musical arrangements and feel, is not so much cohesive in theme, there’s really no story there just random thoughts.Which I suppose is what a “Beautiful Dark Twisted Fantasy” would feel like.
I’m going to give the #1 , pretty predictably since it’s the best reviewed album of the year, to Kanye. Both albums feel really classic, and though I instantly fell in love with “Thank Me Later” and still love it to this day, Kanye feels more like a piece of art, like his short video for “Power”, so much thought and work and creativity went into it feels more like a Masterpiece.
1. Kanye West “My Beautiful Dark and Twisted Fantasy”
2. Drake “Thank Me Later”
3. Broken Bells “Broken Bells”
4. John Legend & The Roots “Wake Up!”
5. Robyn“Body Talk”
6. Surfer Blood “Astro Coast”
7. Rihanna “Loud”
8. Janelle Monáe “TheArchAndroid
9. Erykah Badu“New Amerykah”
10. Toni Braxton“Pulse”
> > SINGLE OF THE YEAR
1. Katy Perry “Teenage Dream”
2. Kanye West featuring Jay-Z, Nicki Minaj, Rick Ross and Bon Iver “Monster”
3. Rihanna featuring Drake “Whats My Name?”
4. Drake “Find Your Love”
5. B.o.B. featuring Bruno Mars “Nothin on You”
6. Toni Braxton “Hands Tied”
7. Robyn “Dancing on my Own”
8. Sade “Soldier of Love”
8. Black Eyed Peas “Imma Be”
9. Neon Trees“Animal”
10. Kelly Rowland “Commander”
> >Guilty Pleasures of the Year
1. Ke$ha
She also gets my > > I Was Wrong Award because last year, when I hadn’t even heard “Tik Tok” in it’s entirety, I predicted the minimal talents of Ke$ha would wear thin once that song had faded out. Dam I was wrong, not that she became a real force to be reckoned with in the industry (her album releases and re-releases continue to flop — and her live performances are sub par to put it nicely), but she was able to get a few more hits using her auto-tuned, generic yet catchy songs. She became my #1 Guilty Pleasure late in the year, even though most of her songs sound the same and talk about the same stuff, who can deny her singles “Take it Off” “Your Love is My Drug” or “We R Who We R”. You hear her songs once and somehow they are stuck in your head. Still, other than catchy hooks and Whiskey references, Ke$ha doesn’t offer much else so we’ll have to see how things turn for her in 2011.
1. “Bed Intruder”
I don’t think anybody can watch this clip without having “Hide Ya Kids, Hide Ya Wife” or “run and tell dat Homeboy” stuck in their head afterwards. A shameful news clip is remixed into one of the most viewed videos, you wanna say SMH, but than you find yourself singing along and clapping to “We Gon Find You!”
2. Jay-Z and Beyonce performing “Young Forever”
Just too cute for words
3. Nicki Minaj’s Angie Martinez Interview
Listening to Nicki Minaj logically talk about whole Lil Kim situation, while still showing respect to one of her inspirations, shows just how immature and petty the older Kim is acting.
> > MUSIC VIDEO OF THE YEAR
1. M.I.A. “Born Free”
2. Jay-Z “On to the Next One” (tie) Rihanna “Rock Star 101”
1. Kanye West
By now, we all know that Kanye West is the most outspoken celebrity of late. And sometimes his outbursts were justified and Needed, but this year coming off his hiatus after the VMA controversy it seems that he didn’t learn a thing. He opened up a Twitter account and spouted random thoughts about clothing, traveling and Justin Bieber all leading up to the release of the best reviewed album of the year. And than things just got out of hand, firstly him feeling sorry for his 2005 comments about President Bush (the commander in chiefs apathy during a crisis and a controversy on a cable Awards show are NOT the same thing at all), than the Matt Lauer bust up. He now just comes off as a man who can never be happy about anything unless things are going 100% his way.
Kanye PLEASE STFU!!!! better yet, just put out music and don’t do any publicity. Let us appreciate the genius of your music without having your dickhead soundbytes to remind us what you’re really like.
> > Most OVERRATED Artist and Album of the Year
1. Eminem “Recovery”
Look, there’s no denying that Eminem can literally give us his worst and it’ll be better than most other rappers. He’s naturally gifted with a great flow and clever lyricism with his music, my only problem is he’s always the SAME Eminem. It never feels like he tries to do anything different, and really why should he when every time he drops an album he gets massive sales. This year, with the help of Rihanna and probably his biggest Pop hit “Love the Way You Lie”, he’s being hailed for an album that is really lackluster and very undeserving.
2. Bruno Mars “Doo Wops and Hooligans”
3. Monica “Still Standing”
> > Most OVERRATED Single of the Year
1. Bruno Mars “Just the Way You Are”
2. Eminem featuring Rihanna “Love the Way You Lie”
3. Far East Movement “Like a G6”
> > Most UNDERRATED Single of the Year
1. Kelly Rowland“Commander”
2. Maroon 5 “Misery”
3. Miguel “All I Want Is You”
> > Most UNDERRATED Album of the Year
1. Big Boi“Sir Lucious Left Foot: The Son of Chico Dusty”
2. Toni Braxton“Pulse”
3. Kelis “Flesh Tone”
> > Best Career Move
Jennifer Lopez becoming a judge on “American Idol”
The new judging line up of “American Idol” was a pretty big deal this year, and Jennifer Lopez (who I called out last year) jumped on it. Securing a spot as one of the “esteemed” judging panel for 2011’s “American Idol” should prove well for her, she’s still a big star and much more so than Paula Abdul when she joined the first season of the show. If she plays her cards right, this could help any future film or music projects for her. The jury is still out on if people will watch without Simon, but I’m sure most are at least intrigued by the new judging
> > Worst Career Move
Chris Brown having a Twitter account
Chris has been hustling this year, trying to get his career back on track. Working on mixtapes and releasing singles and videos left and right even though he has no new album to promote. It’s been working, but it seems everytime anybody mentions his “incident” two years ago, he turns into a little child instead of doing the mature thing and not responding. His fans don’t seem to mind, but it’s not doing him any good in the mainstream eye which is who he needs to get back on his team the most.
> > COLOSSAL Flop of the Year
1. Christina Aguilera“Bionic”
Wow! From every angle you look at it, Christina Aguilera’s “Bionic” has to be the biggest flop the pop world has seen in years. And really who is to blame, well let’s start with the label RCA. The album feels like one half what Christina actually wanted the sound to be (experimental Indie/Electro on “Elastic Love” and the title track among a few others) and what the label wanted it to be for chart dominance (the dated sounding single “Not Myself Tonight” and annoying pop fodder “I Hate Boys” for example). Those two different directions made the album uneven, but there are a lot of successful albums that are even worse. A lot of her fans blame Perez Hilton for constantly saying her new look was similar to Lady GaGa’s, which in a lot of aspects (especially the “Not Myself Tonight” music video) was true — but acts like Beyonce, Usher and Nicki Minaj get called out for copying other artists and it didn’t hurt their sales. Who’s next to blame, well the artist herself. From her icy and impersonal interviews, to her classless, over-sung (and partially lipped) MTV Movie Award performance she just didn’t seem to make any smart decisions in the promotion. The final result was an album that fell out of the Billboard 200 within months, and a first single that couldn’t even pass the Top 20 mark with her follow up singles lingering in the bottom half of the Hot 100 (if at all).
Christina did end the year on a bit of a high note. Her acting debut “Burlesque” wasn’t a box office smash, but wasn’t a complete Flop and it ended up getting a few Golden Globe nominations, including one for a song she wrote for the soundtrack. Here’s hoping Christina follows up quickly and makes some new and unique decisions
about her music and promotion.
2. Ciara
Ciara also gets the > >You Poor Thing Award because she was the Flop of the Year last year. When she released her new “promo single” “You Got Me (Basic Instincts)” it seemed like she was on the right track because she was singing about what she did wrong in the previous era. Trying to be someone she’s not, and she promised to go back to her roots with the next album. Her single and video “Ride” were a step in the right direction, but than things started taking a down turn. BET banned her video (more on that later), and her album was pushed back several times while her songs were being leaked left and right (just like with the Fantasy Ride album). By the time her album did come out of nowhere in December with no promotion, it debuted at #43 with only around 30, 000 copies sold. OUCH!!!!
Her problem is the people behind her, to me it feels like somebody at her label is really out to ruin her career and are sabotaging her at every point. She needs to get away from those people and keep on grinding because she’s really capable of being a long lasting R&B artist, but after a while she might just stop trying. Poor Thing.
> > Trends that need to END!
1. The Dance Pop trend.
Please, it’s been the popular sound for too many years and now it’s just allowing people to be lazy. In both Production, and Lyrics. Compared to true dance music, the tracks are normally a diluted and repetitive generic version of Dance. And lyrically we’ve gotten to a place where we accept a song titled “Blah Blah Blah”. We need something new, and I have a feeling a more Island style is set to take over.
2. Re-Releases.
What used to be a clever marketing tool, is now clearly the proof that we are in a Singles oriented industry and the label heads don’t really care about whole albums. Artists might as well just follow Robyn’s idea of putting out short EP’s every few months, because aside from a few exceptions a Re-Release sort of cheapens the idea of putting together a cohesive full album, when in a few months your just going to scrap together some filler for a Re-Release only intended to promote 1 or 2 new songs.
3. Product Placement in Music Videos.
I understand artists nowadays have to get their money in unique ways, but too many Pop stars this year took the fun out of their videos by making them look too much like commercials. Ke$ha’s “We R Wo We R”, Lady GaGa’s “Telephone” and “Bad Romance” videos, and Christina Aguilera’s “Not Myself Tonight” stand out as big abusers of this crime. Hopefully in 2011 artists can at least find more clever ways of incorporating the products in their videos.